Should I add an increasingly frustrated PHD Student trying to study some sociology thing but all of her subjects keep dying or moving to Montreal or transitioning without telling her or starting work in theater when ever she tries to work on her thesis to the story I am writing
The other character I am considering adding is a wealthy socialite who has left his wife for like 13 different men at this point who keep dying and is in disgrace in the upper class new york social scene and one night when the main characters somehow get invited to a Gala, he gets murdered, and one of the main characters is framed and that ends up being like the third murder all of them are melodramatic over instead of helping work towards the revolution that one of the other main characters is trying to orchestrate
